ד-פּאַקס<p>"Whenever the <a href="https://babka.social/tags/author" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>author</span></a> and <a href="https://babka.social/tags/playwright" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>playwright</span></a> Samantha Ellis tries to define her heritage to people, she often finds them correcting her. “So many times I’ve said I’m an <a href="https://babka.social/tags/Iraqi" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Iraqi</span></a> <a href="https://babka.social/tags/Jew" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Jew</span></a> and been… told ‘you mean you’re mixed’ or ‘which parent is which?’ or just ‘how weird’,” she writes in her richly detailed <a href="https://babka.social/tags/memoir" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>memoir</span></a>, in which she explores the complex, centuries-old history of the Iraqi-<a href="https://babka.social/tags/Jewish" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Jewish</span></a> community and its vanishing language, <a href="https://babka.social/tags/Judeo" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Judeo</span></a>-Iraqi <a href="https://babka.social/tags/Arabic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Arabic</span></a>.</p><p>The daughter of Iraqi-Jewish <a href="https://babka.social/tags/refugees" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>refugees</span></a> who came separately to <a href="https://babka.social/tags/London" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>London</span></a> with their families during periods of persecution for the community in <a href="https://babka.social/tags/Baghdad" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Baghdad</span></a>, Ellis is moved to seek out <a href="https://babka.social/tags/stories" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>stories</span></a>, expressions and objects that will fill some of the gaps in that <a href="https://babka.social/tags/history" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>history</span></a> when she realises that she lacks the vocabulary to pass on the language of her childhood to her own young son."</p><p><a href="https://www.theguardian.com/books/2025/apr/06/chopping-onions-on-my-heart-by-samantha-ellis-review-an-iraqi-jews-celebration-of-an-endangered-culture" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">theguardian.com/books/2025/apr</span><span class="invisible">/06/chopping-onions-on-my-heart-by-samantha-ellis-review-an-iraqi-jews-celebration-of-an-endangered-culture</span></a></p>